The setting is Paris in 1964. Swiss artist Alberto Giacometti (Geoffrey Rush) has invited his friend, the American art writer James Lord (Armie Hammer), to pose for a portrait. Intrigued and flattered – Giacometti's elongated sculptures and paintings had made him world famous – the subject agrees to sit for the master. Expecting to model for a few days, Lord found himself at the mercy of the
This article originally appeared on www.rollingstone.com: 'Final Portrait' Review: Bold Look at Art Is Anything But Paint-By-Numbers
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