Let us now praise exploitation movies – those grotty, violent, sordid movies as sticky as the floors of a Forty Deuce theater and as guilty-pleasurably queasy as a drive-in hot-dog binge. You could definitely see Coralie Fargeat's nasty little nugget of a debut slotting nicely into the middle section of a vintage triple feature, sandwiched by the Russ Meyer-sterpiece Faster, Pussycat! Kill!
This article originally appeared on www.rollingstone.com: 'Revenge' Review: A Woman, Three Men and a Whole Lotta Carnage
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